Working As The World Turns (by Joe Rusin)
I've asked a lot of people who work in the entertainment industry a lot of questions, but the one that I always ask is this: How can I get started in the industry, meet people, and earn money. The answer most give is to become a production assistant on anything that is shooting in the area--just get out there and meet people, even if it doesn't pay. So it was that when I heard that there was an opportunity to work on the set for As The World Turns while it shot in Pittsburgh I nearly fell over myself to reply to the email and get myself onboard. My swiftness paid off, and I was hired as a runner for the show.

I was also lucky enough to be paid for the day, owing only to the fact that they needed a runner with a car and I happened to have one. I met the production team in the Wyndham Garden Hotel at 6:30 on a Thursday morning. The person who I was directly responsible to was Nick Bernstein, the location manager. His father, I learned, is Walter Bernstein, the screenwriter on such films as Fail Safe and The Magnificent Seven. Nick and I hit it off well, since the early morning call introduced me to something that would be a common practice for the day--waiting until I could do something. While we were talking, Nick told me that I had two major tasks for the day--to find the wardrobe department an iron (without a safety shut-off, no less) and to find a FedEx shipping office.

I was assigned to the makeup department briefly at the hotel, and helped them load some of their things onto the bus that the production was taking from city to city. After a time of loading things and conversing with the very friendly people in the make-up department, we were off to the shooting site at Frick Fine Arts Building.

It was a beautiful day for shooting. My tasks on set were simple, usually consisting of hauling things or directing passersby away from the camera's view. Because it was shot on digital video, the director was able to fly through scenes and setups. When I wasn't busy I made sure to take advantage of the craft services, something I recommend to any hungry, monetarily-challenged college student. Very good food.

When there was a break in the action I jumped into my car and went about my tasks. I went to the post office in South Oakland but they didn't have the address for the FedEx shipping office (for the tapes at the end of the day) so I turned to Pitt's old dependable 4-FACT hotline. Picking up the iron for wardrobe was a simple matter, and I paid for it with the petty cash they had given me for that purpose.

When I made it back to the set they had already moved to the inside of Frick Fine Arts. In fact, it was nearly finished. It was about an hour longer until it wrapped. I spent the time trying to hold people from walking into the shots. After the shooting had wrapped I found that I was in demand as a source of information about the area--where to eat or pick things up for the road. I did my best to help them, and when I didn't know the answers I tried to send them to someone who would.

Just when I thought my day was done, Nick told me some people needed to be driven to the airport--two production workers and two of the stars. That was a bit too many people for my little Dodge Neon, so I was given the minivan the production had rented. I had a nice chat with my passengers on the way to the airport, although mostly it was them asking questions about the city.

After I had dropped them off I returned to Oakland to give the minivan back to Nick. He told me he was very pleased with my work and would happily be a reference for me if I should ever need it in the future. We said goodbye and I was back to my mundane life as a college student.

To be honest, the experience was not entirely new to me. I've worked on a few television and independent film sets. What was new was that this job was much bigger in the general scheme of things. I met good people, learned how to carry myself on a professional set, and made some money for my troubles. Besides, it's a satisfying feeling knowing that you're actually working on something that will be seen by a national audience. So I suppose you should heed people when they suggest that you work a PA job to become acquainted with the industry. All it can do is help you.

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